[00:00.00] 作词 : Thomas Bangalter/de Homem-Christo/Giorgio Moroder
[00:00.89] 作曲 : Giorgio Moroder/Thomas Bangalter/Guy-Manuel de Homem-Christo
[00:01.79]When I was fifteen, sixteen, when I really started to play the guitar.
[00:06.27]I definitely wanted to become a musician.
[00:09.80]It was almost impossible because it was, the dream was so big that
[00:13.98]I didn't see any chance because I was living in a little town,
[00:18.66]was studying and when I finally broke away from school and became a musician.
[00:25.50]I thought "Well, now I may have a little bit of a chance."
[00:29.19]Because all I really wanted to do is music and not only play music but compose music.
[00:35.68]At that time, in Germany, in 1969-70, they had already discotheques
[00:42.70]So I would take my car, would go to a discotheque, sing maybe thirty minutes
[00:50.66]I think I had about 7-8 songs.
[00:53.60]I would partially sleep in the car because I didn't want to drive home
[00:59.61]and that helped me for about almost two years to survive.
[01:06.03]In the beginning,
[01:09.55]I wanted to do an album with the sounds of the 50s,
[01:12.94]the sounds of the 60s, of the 70s,
[01:15.97]and then have a sound of the future. And I said:"Wait a second,
[01:20.26]I know the synthesizer, why don't I use the synthesizer?",
[01:24.73]which is the sounds of the future.
[01:28.02]And I didn't have any idea what to do
[01:30.68]but I knew I needed a click so we put a click on the 24 track
[01:35.11]which was then synced to the moog modular.
[01:39.04]I knew that could be a sound of the future
[01:42.78]but I didn't realize how much impact it would be.
[01:47.66]My name is Giovanni Giorgio, but everybody calls me Giorgio.
[01:52.34]
[04:59.80]Once you free your mind about a concept of harmony and of music being correct,
[05:07.17]you can do whatever you want.
[05:09.31]So nobody told me what to do and there was no preconception of what to do.

作词 : Thomas Bangalter/de Homem-Christo/Giorgio Moroder
作曲 : Giorgio Moroder/Thomas Bangalter/Guy-Manuel de Homem-Christo
When I was fifteen, sixteen, when I really started to play the guitar.
I definitely wanted to become a musician.
It was almost impossible because it was, the dream was so big that
I didn't see any chance because I was living in a little town,
was studying and when I finally broke away from school and became a musician.
I thought "Well, now I may have a little bit of a chance."
Because all I really wanted to do is music and not only play music but compose music.
At that time, in Germany, in 1969-70, they had already discotheques
So I would take my car, would go to a discotheque, sing maybe thirty minutes
I think I had about 7-8 songs.
I would partially sleep in the car because I didn't want to drive home
and that helped me for about almost two years to survive.
In the beginning,
I wanted to do an album with the sounds of the 50s,
the sounds of the 60s, of the 70s,
and then have a sound of the future. And I said:"Wait a second,
I know the synthesizer, why don't I use the synthesizer?",
which is the sounds of the future.
And I didn't have any idea what to do
but I knew I needed a click so we put a click on the 24 track
which was then synced to the moog modular.
I knew that could be a sound of the future
but I didn't realize how much impact it would be.
My name is Giovanni Giorgio, but everybody calls me Giorgio.
Once you free your mind about a concept of harmony and of music being correct,
you can do whatever you want.
So nobody told me what to do and there was no preconception of what to do.